Borders and Boundaries

[scroll down or visit the portfolio page to view individual artworks in this series]

ABOUT THE EXHIBITION

Heather Stivison: Borders and Boundaries was a solo exhibition of interdisciplinary works exploring both current and historical issues of migration and border wars. Stivison sought to explore these topics and gain a deeper understanding of migration and border wars than the disturbing daily newscasts could provide

She eventually found inspiration in several books on the topic—especially Crossing Borders: The Reconciliation of a Nation of Immigrants, by Ali Noorani and City of Dreams: The 400-Year Epic History of Immigrant New York by Tyler Anbinder.

The end result was the series of narrative artworks that made up this exhibition—a tapestry of drawings, paintings, textiles, and found objects that focus on homes lost, found, and remembered.

In addition to artist talks in the gallery, this exhibition was enhanced by special programs that related to the narratives in the exhibition including guest speaker and a poetry reading. As a published poet herself, even Stivison’s titles added an important element to the works.

On view at Pleiades Gallery,
547 W 27th St., NYC, 10001
June 11-July 6, 2024

Works from this series have also been in on view in the following group shows:

Social Justice at Gallery X, New Bedford, Massachusetts;

FALL OF FREEDOM: Freedom of Expression, a Women’s Caucus for Art (WCA) national online art exhibition;

NHAA Biennial, Portsmouth, New Hampshire;

National Association of Women Artists, Inc. 136th Annual Members Exhibition, Leonovich Gallery, New York, New York, where the drawing Other, was awarded the Elizabeth Morse Genius Foundation Medal of Honor Award for Works on Paper;

When in the Course of Human Events…, at the Bristol Art Museum, Bristol Rhode Island.

EXHIBITION-RELATED PROGRAMS:

Saturday, June 15, 2024

Award Winning Historian and Author Tyler Anbinder joined Heather Stivison in a dialogue on
City of Dreams: The 400-Year Epic History of Immigrant New York

Click to view the recording

Saturday, July 6, 2024

Poets submitted original works, written in response to artworks on view and presented them in a poetry reading.

Winning Poets Included:

Colin Bell of East Sussex, UK; David Burr of Maplewood, New Jersey; Diana Cole of Warren, Rhode Island; James Cronin, of Westport Massachusetts; Giles Edgerton of Brooklyn, New York; Farah Faizi of Poughkeepsie, New York; Mary-Jane Grandinetti of Passaic, New Jersey; Dana Hunter of Montclair, New Jersey; Elizabeth Levine of Wayne, New Jersey; and Julianne Valdepenas of Parkville, Maryland.

Click to view the recording

ABOUT THE ARTWORKS

ABOVE: Read an interview about the creation of this series of works published in CONSEQUENCE FORUM or download the text-only version


Above: A two-minute video about the creation of Oil Sketch: Her Inheritance.

Graphite Drawings

Other

20x30 inches, pencil on archival paper

Not My Problem

20x30 inches, pencil on archival paper

Landscape of Fear

20x30 inches, pencil on archival paper

No Way Out

20x30 inches, pencil on archival paper


Charcoal on Wood

Traces

33x49 inches, charcoal and chalk on reclaimed wood

Strangers in a New Land, 1905

33x55 inches, charcoal and chalk on reclaimed wood

Textile works

Long Hours, Hard work, 1920

17.5 x 24 x 1.5 inches. Cotton threads stitched on linen blend fabric, polyester batting, ink, needles, pins, and historic immigration ephemera reprinted on cloth.

Out of Reach

30x24 inches, Cotton threads on linen blend fabric printed with digitally altered photographs, metal rabbit fencing, wood, glass and metal jewelry case, metal chains, and metal keys.

Oil Painting

Oil Sketch: Her Inheritance.

48x97 inches. Oil on Raw Canvas. Unframed

War Drawings

Where Sabbath Once Was Sweet

22 x 16 inches. Ink, Pencil, and Acrylic on Archival Paper and Duralar

Collateral Damage

22 x 16 inches. Ink, Pencil, and Acrylic on Archival Paper and Duralar

Click below to hear Colin Bell read his poem,
“Aleppo” written in response to this drawing

If Your Prick Us, Do we Not Bleed?

22 x 16 inches. Ink, Pencil, and Acrylic on Archival Paper and Duralar

Out of Sight, Out of Mind

22 x 16 inches. Ink, Pencil, and Acrylic on Archival Paper and Duralar

Installation Views

Comments from visitors